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كتاب A Short History of Literary Criticism لPetru Golban

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المؤلف : Petru Golban
التصنيف : كتب منوعة
سنة النشر : 2008
عدد الصفحات : غير محدد
عن الكتاب : 2008م - 1443هـ Üç Mart Press Petru Golban Estella Antoaneta Ciobanu A Short History of Literary Criticism A Short History of Literary Criticism Üç Mart CONTENTS Introduction 4 1. The Foundations of Literary Criticism (Petru Golban) Preliminaries 12 Ancient and Medieval Criticism 15 Renaissance and Philip Sidney 25 Restoration and John Dryden 32 Neoclassicism and Alexander Pope 41 The Rise of the English Novel and Henry Fielding 58 The Romantic Criticism: Wordsworth, Coleridge, Shelley 70 The Victorian Criticism: Arnold, Ruskin, Pater 95 Fragments and Analyses 114 Conclusion 156 Suggestions for Further Reading 160 2. Contemporary Trends in Literary Theory and Criticism (Estella Antoaneta Ciobanu) The Formal Approach to Literature 164 The Approach through Reading 182 The Approach through Socio-Cultural Context 201 The Approach through Gender 215 Literature and Psychoanalysis 251 Post-Structuralism and Deconstruction 269 Bibliography 295 INTRODUCTION It is a critical cliché to start a book on literary theory and criticism by bringing into discussion the name of Matthew Arnold and to claim that what has shown itself as a modality capable enough to reassure and strengthen the role of literature as an agent able to satisfy the intellectual needs of humans is the permanent re-evaluation of the past national and international literary heritage, and the study of the contemporary literary practice, in the context of what Matthew Arnold more than one hundred years ago described as a disinterested effort to learn and propagate the best that is known and thought in the world. This endeavour, the Victorian scholar believes, is the ‘real estimate’, the real approach to literature, leading to its true understanding and to “a sense for the best, the really excellent, and of the strength and joy” to be drawn from literary text. These ideas seem nowadays superfluous and obsolete, being long ago rejected and replaced by the more scientific and methodological critical perspectives of formalism, structuralism, psychoanalysis, deconstruction, and other approaches developed by the twentieth century literary theory and criticism. .
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كتاب A Short History of Literary Criticism

2008م - 1443هـ Üç Mart Press Petru Golban Estella Antoaneta Ciobanu A Short History of Literary Criticism A Short History of Literary Criticism Üç Mart CONTENTS Introduction 4 1. The Foundations of Literary Criticism (Petru Golban) Preliminaries 12 Ancient and Medieval Criticism 15 Renaissance and Philip Sidney 25 Restoration and John Dryden 32 Neoclassicism and Alexander Pope 41 The Rise of the English Novel and Henry Fielding 58 The Romantic Criticism: Wordsworth, Coleridge, Shelley 70 The Victorian Criticism: Arnold, Ruskin, Pater 95 Fragments and Analyses 114 Conclusion 156 Suggestions for Further Reading 160 2. Contemporary Trends in Literary Theory and Criticism (Estella Antoaneta Ciobanu) The Formal Approach to Literature 164 The Approach through Reading 182 The Approach through Socio-Cultural Context 201 The Approach through Gender 215 Literature and Psychoanalysis 251 Post-Structuralism and Deconstruction 269 Bibliography 295 INTRODUCTION It is a critical cliché to start a book on literary theory and criticism by bringing into discussion the name of Matthew Arnold and to claim that what has shown itself as a modality capable enough to reassure and strengthen the role of literature as an agent able to satisfy the intellectual needs of humans is the permanent re-evaluation of the past national and international literary heritage, and the study of the contemporary literary practice, in the context of what Matthew Arnold more than one hundred years ago described as a disinterested effort to learn and propagate the best that is known and thought in the world. This endeavour, the Victorian scholar believes, is the ‘real estimate’, the real approach to literature, leading to its true understanding and to “a sense for the best, the really excellent, and of the strength and joy” to be drawn from literary text. These ideas seem nowadays superfluous and obsolete, being long ago rejected and replaced by the more scientific and methodological critical perspectives of formalism, structuralism, psychoanalysis, deconstruction, and other approaches developed by the twentieth century literary theory and criticism. .


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